My practice begins in painting, with an ongoing interest in how visual experience changes over time. Expanding painting through projected light allowed the work to become temporal, creating environments that people do not simply observe, but enter into and remain with.
Each work develops through an ongoing dialogue between painting and projected light. The painted surface is composed to receive changing light, while the projected imagery is refined in response to the painting. Through adjustments in timing, scale, color, and movement, neither medium dominates; together they compose an experience that can exist only through time.
What appears fluid is carefully structured through the relationship between what is fixed and what is changing. Painting provides the stable ground, while projected light continually reshapes what is seen. Together they compose an experience that unfolds through time.